𝘝𝘪𝘰𝘭𝘦𝘯𝘤𝘦𝘴 𝘔𝘢𝘵𝘩𝘦𝘮𝘢𝘵𝘪𝘲𝘶𝘦 数学暴力
4mins11s，color video
Violences mathématiques is a video performance based on a poem that presents itself as a form of projection for the event. The work is based on a poem he wrote at the time of the pandemic. The poem responds to the violence of the media, in particular the dehumanizing attitudes towards the death toll, with an ideological differential judgment. In his poem, he addresses the feelings and criticisms aroused by this violence.
It was created in the context of the artists mobilisation(Gaze en Gaza) in paris for support the Palestinian people. It alerts us to the fact that behind every number lies a life that refuses to be mediatized, abstracted and generalized.
《数学暴力》是以一首诗为基础的视频表演，它本身就是该活动的一种投影形式。该作品基于他在大流行病发生时写的一首诗。这首诗以意识形态的差异判断回应了媒体的暴力，尤其是对死亡人数的非人化态度。他在诗中表达了这种暴力所引发的情感和批评。它是在巴黎艺术家动员（Gaze en Gaza）支持巴勒斯坦人民的背景下创作的。它提醒我们，在每一个数字背后，都隐藏着一个拒绝被媒介化、抽象化和一般化的生命。
Exhibitions and screenings
2023, Gaze en Gaza, Les Amarres
Bionic, 仿生
3mins42s, color video
Interms of content, the main move of "imitation " is an attempt to detach fromthe body or the human center, trying toflow between non-humans, man-madeobjects, even conceptions. This tendencyof textual movement is synchronized withthe images of fountains and subtitles.Experimenting with the state of adhesionbetween writing and images, programpictures (Deepdream software) andpictures.
就内容而言，"模仿 "的主要动作是试图脱离身体或人类中心，试图在非人类、人造物体、甚至概念之间流动。这种文本运动的趋势与喷泉和字幕的图像同步。实验写作和图像之间的粘附状态，程序图片（Deepdream软件）和图片。
Exhibitions and screenings:
2021 "AMALGAMATA" Exposition spéciale de la Biennale de Chengdu ,Biennale de Chengdu—Winshare Art Museum, Chengdu, Chine
2022, FOTOGENIA Film FESTIVAL, Mexico City
2022, Edinburgh's International Poetry Festival, Edinburgh
Selected Chinese Poems：
2022-2023
Exhibitions：
2021 "AMALGAMATA" Exposition spéciale de la Biennale de Chengdu ,Biennale de Chengdu—Winshare Art Museum, Chengdu, Chine
Publications：
《何浩楠詩選》，“觀物”高校青年詩刊，出品人：董海平、原諒、孟繁韶，顧問：芒克，2019 ”Poèmes sélectionnés de He Haonan“, “Kuanwu”-Revue des jeunes poètes de l'enseignement supérieur .
Dirigé par Dong Haiping, Yuan Mao et Meng Fangshao.conseiller en recherche : Mang Ke, 2019
2022-2023
"Dream of Dogs" , 救赎(Redentor)
2020- 2021
《擊劍》、 《一把在頸上的匕首》、《 數學暴力》......
“Fencing", "A Dagger in the Neck", "Mathematical Violence" ......
2018-2019
《仿生》、 《人可以終止生命嗎？當然可以》、《 呱》、《普通女人》、《青春的峰頂、三島由紀夫和住院部的父親》、《青春政治—豬瘟》、《紅梁別墅之光（villa du Bau Rouge ）》
” Bionic“, ” Can Human Beings Stop Living? Of course you can", "Quack", "Ordinary Women", "The Peak of Youth, Yukio Mishima and My Father in Hospital", "Youth Politics - Pig Fever", "Villa du Bau Rouge"
2016-2017
《瑯勃拉邦》、《以一種異國的語調訴說》、《 兒童節》、《月夜》、 《湯》、 《分離》、 《釋迦果》......
Luang Prabang", "Speaking in an Exotic Tone", "Children's Day", "Moonlight Night", "Soup", "Separation", "The Fruit of the Sakya" ......
Exhibitions：
2021 "AMALGAMATA" Exposition spéciale de la Biennale de Chengdu ,Biennale de Chengdu—Winshare Art Museum, Chengdu, Chine
Publications：
《何浩楠詩選》，“觀物”高校青年詩刊，出品人：董海平、原諒、孟繁韶，顧問：芒克，2019 ”Poèmes sélectionnés de He Haonan“, “Kuanwu”-Revue des jeunes poètes de l'enseignement supérieur .
Dirigé par Dong Haiping, Yuan Mao et Meng Fangshao.conseiller en recherche : Mang Ke, 2019